
Red and green can create different colors depending on whether you’re mixing light or physical pigments. Understanding the difference between additive and subtractive color mixing explains why the results vary.

In additive mixing—used in screens, LEDs, and digital displays—colors are created by combining different wavelengths of light.
Subtractive mixing involves physical pigments, such as paints, markers, makeup, or colored dyes. Pigments absorb (subtract) certain wavelengths and reflect others.

Red and green can make yellow, but only in additive color mixing, which applies to light—not paint or physical pigments.
In additive mixing, colors are created by combining different wavelengths of light.
When red light and green light overlap, the result is yellow light.
This is the principle behind the RGB color model, used in:
These devices emit red, green, and blue light in different intensities to create every color you see, including yellow.
Paints, markers, and inks use subtractive color mixing, where pigments absorb light rather than emit it.
Red and green pigments don’t blend cleanly—each absorbs different wavelengths—so when combined, they reflect very little pure color.
The result is a brownish or muddy color, not yellow.

In traditional pigment-based color theory, yellow is a primary color, which means it cannot be created by mixing other paint colors. Artists using the RYB (Red–Yellow–Blue) model cannot mix their way to yellow because it is one of the fundamental base hues.
In light-based (additive) color mixing—used in screens, LEDs, and digital art—red and green light combine to create yellow.
This happens because additive mixing blends wavelengths of light, and the combination of red + green stimulates the eye in a way that produces the perception of yellow.
Understanding the difference between RGB and RYB explains why you can make yellow on a computer screen but not with physical paints.

No—red and green do not make purple in any mixing system. Instead, they neutralize each other.
Green sits opposite red on the color wheel, meaning they are complementary colors.
When mixed, complementary colors tend to cancel each other out, resulting in brown, gray, or a muddy neutral rather than a vibrant color.
In subtractive mixing (paint):
To create purple, you need:
These combinations preserve the necessary wavelengths to produce a vivid violet or purple.
Green contains blue + yellow components.
Adding green to red introduces yellow into the mix—yellow works against the blue needed for purple.
This shifts the mixture toward brown or gray instead of a purple tone.
Understanding how red and green mix is useful in many real-world situations, especially where different color systems are used.
Screens—such as TVs, computer monitors, and smartphones—use the RGB color model.
In this system:
Traditional artists use RYB (Red–Yellow–Blue) color mixing with physical pigments.
In this system:
The printing industry uses CMYK (Cyan–Magenta–Yellow–Key/Black).
In this model:
Because light adds color, while paint subtracts color.
Pigments contain impurities and absorb multiple wavelengths.
When you mix green and red paint, you reduce the reflected light, resulting in brown, gray, or muddy tones instead of a bright color.
It depends on the color system:
Understanding how red and green interact across different color systems helps explain why the results vary so much. In additive color mixing (light), the wavelengths of red and green combine to create a bright, pure yellow. But in subtractive color mixing (paint and pigments), those same colors absorb too much light, resulting in a brown or muddy mixture.
This difference is the key to mastering both digital and traditional color mixing.






